Works by genre

Throughchant on Woruld Sprouting  (2018), an oratorio on text by Pavel Filonov for choir, orchestra, and 10 soloists 43'

Seemphony (2010) for orchestra 18' 

Primadonna (2010) for soprano and orchestra 12'

Concerto di forza (2002) for piano and orchestra 17'

Sefer Yetzirah (The Book of Creation) (2019-20) for 2.5 voices and ensemble of middle-age instruments (sung in Hebrew) 45’

Discantata (2018) for 6 voices 18' 

Endliche Melodie (2015/16) for 6 voices with melodions 14' 

Scompositio (2014) for female voice performer, 13 players, and audio projection 38'

Eine kleine Nachtmusik (2009) for soprano and pianist (text: Lev Rubinstein) 17'

bzdmn [hmlss] (2006) for male voice, string trio, and button accordion (documentary texts by homeless people) 22'

The Normal (2005) for voice and 6 players (Vladimir Sorokin) 18'

Words and Spaces (2005) for male voice, winds, brass, and double-bass (text: Last Words of Dutch Schutz, documentary) 14’ 

A Certain Quantity of Conversations (2004) for contralto and 8 instrumentalists (texts by Alexander Vvedensky) 25'

Breathing Exercises (2004) on texts by Genrikh Sapgir for 3-octave male voice, violin and bouzouki 8’

Lesvet Set'my (2002) 17 texts by Anna Alchuk in 23 movements for soprano and 7 players 17'

jAnko krUl albAnskaj (2002) dada-opera for 6 singers, 8 instrumentalists and conductor (text: Ilya Zdanevich) 26'

Une messe de... (2001) for contemporary and/or period instruments and voices 13'

O ignis Spiritus Paracliti (2001) anthem for countertenor, 2 tenors, and bass 12'

Doppelgedicht (1999) for soprano and piano (Paul Célan) 9'

aria tutti for 8 players (2020) 12’

Der Lauf der Dinge (2015) for 16 performers 35'

play.list (2013) a playlist in 11 tracks for 15 players and 2 voices 40' 

Collectivision (2011) for 7 mouth harmonicas and button accordion 24' 

0,10 (2010) suprematism for ensemble 21'

Un petit concert de rats (2003) soundtrack for Ladislaw Starewitsch animation film "Le rat de ville et le rat de champs" (1920) for winds, brass, piano and bass-guitar 13'30

Polyphonion (2001) concerto after Pavel Filonov's "Formulas" for extended violin, accordion & 6 instruments 17' 

Gwaegr (version 2001) for cello and 8 instruments 17'

Nachmusik (Sergey Berinsky in memoriam) (1998) for flute, 4 cellos, and accordion 17'

Infinite Superposition 1-7 (2020–>) growing works for different players

Direct music 29-38 (2020)

Supremus 0-3  for different instruments 6’ (2019-20)

Direct music 1-28 (2019)

Tristans Liebestod und Nachspiel (2017-18) for three historic pianos of different epochs 45'

subito atteso (2015) for string quartet 18'

He made forty (2011) for 4 reciting percussionists (text: Gertrude Stein) 12'30''

Aalto functions (2008) for clarinet/bass clarinet, cello, and accordion 11' 

Dramma vago (2007) for picc./alto flute, viola, and piano 14' 

We Can't Perform It (2006), an open rehearsal for piano trio with flute and clarinet 14' 

Schmozart (2006) for piano, violin, and cello 10' 

Dramma muto (2005) for clarinet, violin, cello, and piano 10' 

The Axe (2004), funeral marches or valses in memoriam Dostoevsky's personages for brass quintet and percussionist 9'

Aerra (2004) for violin and piano 13'

Rheos (2003) for string trio and piano 14'

Les Eléments, carré d'études transcendentales (2000) for two-bowed cello 12'

Lygoi (2000) for string quartet 16'

Le planétaire de poche à remonter (1998) for four-hands piano (variable performance) n x 2'45”

Fadensonnen (1996) for flute and harpsichord 13'

Il primo punto (1995) for accordion/organ 7'

Cantus with Cleansing (2016) for 7 Balkan guslari (text: Eugene Ostashevsky) 40'

La Machine Fleuve (2014) for 20 music boxes with bike transmission (together with Arno Fabre) 70' – 6h

Voicity (2011), an open-air / homage to Arseny Avraamov 70'

Ursonate (2007), an instruction for three improvising performers and live electronics (text: Kurt Schwitters) 45'